By Colette Colligan
From 1890 to 1960, a few of Anglo-America s such a lot heated cultural contests over books, intercourse, and censorship have been staged no longer at domestic, yet out of the country within the urban of sunshine. Paris, with its awesome liberties of expression, grew to become a distinct position for interrogating the margins of sexual tradition and literary censorship, and a large choice of English language soiled books circulated via unfastened expatriate publishing and distribution networks.
A writer s Paradise explores the political and literary dynamics that gave upward push to this expatriate cultural flourishing, which integrated every thing from Victorian pornography to the main bold and debatable modernist classics. Colette Colligan tracks the British and French politicians and diplomats who policed Paris variations of banned books and uncovers offshore networks of publishers, booksellers, authors, and readers. She appears to be like heavily on the tales the soiled books informed approximately this publishing haven and the smut peddlers and literary giants it introduced jointly in transnational cultural formations. The e-book profiles an eclectic workforce of expatriates residing and publishing in Paris, from quite imprecise figures resembling Charles Carrington, whose checklist incorporated either the image of Dorian grey and the pornographic novel Randiana, to book place proprietor Sylvia seashore, recognized for publishing James Joyce s Ulysses in 1922.
A writer s Paradise is a compelling exploration of the little-known heritage of overseas pornography in Paris and the significant position it performed in turning town right into a modernist outpost for literary and sexual vanguardism, a name that also lingers this day in our cultural myths of dead night in Paris.
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Additional info for A Publisher's Paradise: Expatirate Literary Culture in Paris, 1890-1960 (Studies in Print Culture and the History of the Book)
18 Following up on Asquith’s request with letters of inquiry to various governments in Europe, America, India, Australia, and beyond, the Foreign Office began exchanging information about specific dealers while remaining in close communication with the Home Office. The British government thus created a new unofficial role for itself as global watchdog of the international traffic in pornography. 19 In the case of the internationalization of pornography, Britain was the first nation to identify it as a problem and take up this diplomatic role before an international agreement was struck in 1910 and before Interpol was formed in 1923.
46 Carrington was perhaps searching for clients like Burton (and his wife), the educated elite interested in privately published material. His blitz advertising strategy was miscalculated, however, given his restricted target audience, triggering complaints from the public that raised the alarm for the postmaster general. The scale of this advertising campaign, plus concern about a public made vulnerable by increasingly international postal traffic, put Carrington and Lemallier on the government’s radar and drove several attempts to put them out of business by means of the postal warrants and diplomatic structures first set in place by Matthews and Asquith in their roles as Home Secretary.
The important freedom of press law of July 29, 1881, liberalized the press and book trade. Immoral works (contraires aux bonnes moeurs) were still punishable offenses, but the law of August 2, 1882, monumentally set the book apart from other forms of pornography. 40 With the British-led purges in London, Amsterdam, and around Europe, Paris was thus ideally situated for pornographic publishers and booksellers looking for a new base in a city that already had an international reputation for sex license, libertinism, and pursuits of pleasure.