Cultural Studies

Alternative Shakespeares, Volume 1 (2nd Edition)

While serious idea met literary experiences within the Nineteen Seventies and '80s, essentially the most radical and intriguing theoretical paintings concentrated at the quasi-sacred determine of Shakespeare. In substitute Shakespeares, John Drakakis introduced jointly key essays through founding figures during this circulate to remake Shakespeare studies.

A new afterword via Robert Weimann outlines the extreme effect of different Shakespeares on educational Shakespeare reviews. yet as but, the Shakespeare fantasy maintains to thrive either in Stratford and in our colleges. those essays are as suitable and as robust as they have been upon book and with a contributor checklist that reads like a 'who's who' of contemporary Shakespeare reviews, substitute Shakespeares calls for to be learn.

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Additional resources for Alternative Shakespeares, Volume 1 (2nd Edition)

Sample text

Within a year of beginning work in the national cathedral church, preferment in one of its central parishes had come his way. 3 At its unveiling, then, in 1907, the monument could hardly have been more solidly based, or centrally placed. Focusing on the figure which, for over a hundred years, had been growing to the stature of cultural superman, obviously designed to become the lynch-pin of a series which was almost a ‘traditional British institution’, at a time ALTERNATIVE SHAKESPEARES 33 when the national drive towards universal literacy was creating a mass audience for it, authored by a man whose very name—Walter Raleigh — carried inevitable and appropriate connotations of reassuring contemporaneity, special knowledge, buccaneering glory and a fine literary style, and who was, by then, the first Professor of English Literature appointed by the most ideologically central educational institution in the country, the English Men of Letters Shakespeare arrived with an aura available to few other volumes before or since.

In 1918, Caliban has to become less than a man in quite specific terms. He turns into a German, ‘Fritz’ or ‘the Boche’, a bestial, savage and deformed slave in a precisely European dimension. Wholly determined, thus, as a European ‘wild man’, as Peter Hulme’s analysis has it, there is clearly no room left in this reading of Caliban for any ‘American’ potential. On 4 July 1918, this is selfevidently a good idea. But more than that, the un-manning, the ‘Germanizing’ of Caliban irons out any ambiguity that might accrue from his later speaking of English.

32–4) 28 SWISSER-SWATTER Caliban’s status as ‘Indian’ can be said to be partly confirmed by this, the more so when, moments later, Stephano sees him as part of the armoury of ‘tricks’ played upon him by the ‘devils’ of the island: What’s the matter? Have we devils here? Do you put tricks upon’s with salvages and men of Ind, ha? (II. ii. 58–9) In respect of western society, Indians are indeed tricky: they do not make sense. As innumerable Hollywood films inform us, they make trouble. Their presence thus requires an ideological adjustment of a major kind.

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