Cultural Studies

Bakhtin and his Others: (Inter)subjectivity, Chronotope, by Liisa Steinby, Tintti Klapuri

By Liisa Steinby, Tintti Klapuri

‘Bakhtin and his Others’ goals to increase an realizing of Mikhail Bakhtin’s rules via a contextual process, fairly with a spotlight on Bakhtin reviews from the Nineteen Nineties onward. the quantity bargains clean theoretical insights into Bakhtin’s rules on (inter)subjectivity and temporality – together with his suggestions of chronotope and literary polyphony – via reconsidering his rules on the subject of the assets he employs, and bearing in mind later examine on comparable issues. The case experiences express how Bakhtin's principles, whilst visible in gentle of this process, may be constructively hired in modern literary research.

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‘This quantity maintains a present development in Bakhtin scholarship dedicated to contextualizing Bakhtin’s paintings via situating his essays not just with appreciate to the writings of the Bakhtin circle, but in addition in the wider context of the German philosophical culture and early Soviet literary stories. […] [T]he total caliber of the scholarship is superb, with person members all bringing up fresh and pertinent experiences within the field.’ —Tara Collington, ‘Canadian Slavonic Papers’

‘This stimulating assortment will make a special contribution to the research of Bakhtin’s paintings and its value for literary historians.’ —Professor Galin Tihanov, George Steiner Chair of Comparative Literature, Queen Mary, collage of London

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Liisa Steinby is Professor of Comparative Literature on the collage of Turku. Her major examine pursuits comprise the issues of modernity and subjectivity within the novel from the eighteenth century to the current and comparable questions in literary theory.

Tintti Klapuri is Junior study Fellow on the division of Comparative Literature on the collage of Turku, Finland. Her examine pursuits comprise Chekhov, temporality and modern Russian literature.

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Extra resources for Bakhtin and his Others: (Inter)subjectivity, Chronotope, Dialogism

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2008b [1981]. ‘Epic and Novel: Toward a Methodology for the Study of the Novel’ (‘Epos i roman [O metodologii issledovaniia romana]’). In The Dialogic Imagination. Edited by Michael Holquist, translated by Caryl Emerson and Michael Holquist, 3–40. Austin: University of Texas Press. Bergson, Henri. 1991. Matter and Memory (Matière et mémoire: Essai sur la relation du corps à l’esprit, 1896). Translated by Nancy Margaret Paul and W. Scott Palmer. New York: Zone Books. Brandist, Craig. 2002. The Bakhtin Circle: Philosophy, Culture and Politics.

Hegel and Lukács share with the Romantics the view that the fundamental difference between the (heroic) epic and the novel is the presence or absence respectively of a common, collective understanding of the world; or, as they thought of it, of the meaningful totality of existence. Hegel’s aesthetics can be regarded as a continuation, and by the same token a refutation, of the Romantic view of art as the highest form of attaining the totality of being, the Absolute. The function of art, which is to represent the Absolute symbolically in perceivable form, becomes in Modernity more and more difficult to fulfil.

Edited and translated by Caryl Emerson. Minneapolis: University of Minnesota Press. 1990a. ‘The Problem of Content, Material, and Form in Verbal Art’ (‘Problema soderzhaniia, materiala i formy v slovesnom khudozhestvennom tvorchestve’). In Art and Answerability: Early Philosophical Essays by M. M. Bakhtin. Edited by Michael Holquist and Vadim Liapunov, translated by Vadim Liapunov, 257–325. Austin: University of Texas Press. 1990b. ‘Author and Hero in Aesthetic Activity’ (‘Avtor i geroi v esteticheskoi deiatelnosti’).

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